Composer Ayanna Witter-Johnson: ‘Growing up, I never once saw a Black conductor’

Composer Ayanna Witter-Johnson Calls for Support for Black Classical Musicians

Renowned composer Ayanna Witter-Johnson recently delivered a stunning performance at Classically Black, the UK’s first Black classical music festival. The event, which took place at Kings Place in London, celebrated the contributions of Black and global majority composers and performers. Organized by Black Lives in Music, the festival aimed to address racial inequality in the music industry and create opportunities for Black, Asian, and ethnically diverse musicians and professionals.

Witter-Johnson expressed her excitement at the event, calling it “a wonderful opportunity to recognize, represent, and celebrate the diversity of creative expression of Black classical musicians.” She emphasized the importance of building a legacy by engaging new audiences and providing opportunities for emerging talents.

The composer showcased her versatility in the concert, featuring a mix of commissioned pieces blending classical and Caribbean folk music styles. In the second half of the performance, Witter-Johnson collaborated with her band and ensemble members to present her contemporary songs, offering the audience a glimpse into the full spectrum of her artistry.

Reflecting on her musical journey, Witter-Johnson shared her diverse influences, from classical piano and Ghanaian traditional music to dub reggae and jazz. She highlighted the impact of meeting composer Errollyn Warren, who served as a role model and mentor during her studies.

Witter-Johnson also addressed the lack of representation of Black musicians and composers in the classical music industry, emphasizing the need for greater visibility and support. She called for a comprehensive report on the landscape for Black composers in the UK and advocated for more opportunities for their work to be performed and recognized.

As efforts to promote diversity and inclusion in classical music continue, Witter-Johnson remains hopeful about the growing presence of Black conductors and musicians in the industry. She praised individuals like Errollyn Wallen and the Kanneh-Mason family for their contributions to classical music and urged for ongoing support and recognition of Black artists.

In summary, Ayanna Witter-Johnson’s call for better support and recognition of Black classical musicians highlights the importance of fostering diversity and inclusivity in the music industry. Her powerful performance at Classically Black serves as a testament to the talent and creativity of Black composers and performers, paving the way for a more inclusive and vibrant musical landscape.

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